{"title":"Pre-Orders","description":"","products":[{"product_id":"sih0gohktr-lp","title":"Goh-Ka - Transparent Red Vinyl 2xLP","description":"THE EPIC NEW STUDIO ALBUM FROM THE LONG-STANDING JAPANESE METAL PIONEERS, INCLUDING GUEST APPEARANCE FROM OPETH'S MIKAEL ÅKERFELDT. PRESENTED ON DOUBLE TRANSPARENT RED VINYL WITH GATEFOLD SLEEVE, INCLUDING BONUS TRACK.\u003cbr\u003e\r\n\u003cbr\u003e\r\nJapanese metal pioneers Sigh formed in 1989\/1990. Their genre-classic Black Metal debut ‘Scorn Defeat’ arrived in 1993, \u0026amp; with a subsequent journey through the strange \u0026amp; the psychedelic, incorporating a whole eclectic mix of genre styles \u0026amp; ideas throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed on the 2022 album (\u0026amp; first for Peaceville Records), ‘Shiki’. This was followed by the remaking of their ‘Hangman’s Hymn’ album as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’ (2025).\u003cbr\u003e\r\n\u003cbr\u003e\r\nMain-man Mirai Kawashima notes this as being as equally personal an album as ‘Shiki’, both musically \u0026amp; lyrically. From a musical perspective, if you were to place the main ingredients of Celtic Frost, Voivod, Black Sabbath, horror movies \u0026amp; Japan into a cauldron \u0026amp; stir it, you will get ‘Goh-ka’. Numerous additional spices such as psychedelic rock, prog rock \u0026amp; classical music are also evident over the album’s close to one-hour duration.\u003cbr\u003e\r\n\u003cbr\u003e\r\nThe primary theme permeating the album is Kuso-zu; a series of Buddhist paintings or illustrations depicting the nine stages of a human body's decomposition after death, created to encourage meditation on the impermanence of life, the inevitability of death, \u0026amp; the detachment from physical beauty \u0026amp; worldly attachment. It openly shows the harsh reality that no matter how beautiful you are, you’ll be dead \u0026amp; rot sooner or later. And Kuso-shi is a poem based on these paintings. The artworks on the cover \u0026amp; in the booklet of ‘Goh-ka’ are therefore Kuso-zu themselves.\u003cbr\u003e\r\n\u003cbr\u003e\r\nAmong the additional contributors to the album, Mikael Åkerfeldt of Opeth notably delivers a special guest guitar solo on the track, ‘Unputenpu’.\u003cbr\u003e\r\n\u003cbr\u003e\r\nThis transparent double vinyl edition of ‘Goh-ka’ is presented in a gatefold sleeve and includes an alternative version of ‘Unputenpu’.\u003cbr\u003e\r\n\u003cbr\u003e\r\nSide A\u003cbr\u003e\r\n1. Kuso-shi 1, 2, \u0026amp; 3 (09:11)\u003cbr\u003e\r\n2. Jigoku-Zoshi 1: Unkamusho (03:55)\u003cbr\u003e\r\n3. Anzenshokon (06:24)\u003cbr\u003e\r\n\u003cbr\u003e\r\nSide B\u003cbr\u003e\r\n1. Kuso-shi 4, 5, \u0026amp; 6 (07:21)\u003cbr\u003e\r\n2. Shoso (00:56)\u003cbr\u003e\r\n3. Unputenpu (05:41)\u003cbr\u003e\r\n\u003cbr\u003e\r\nSide C\u003cbr\u003e\r\n1. Jinmenjushin (06:14)\u003cbr\u003e\r\n2. Jigoku-Zoshi 2: Tokatsujigoku (03:06)\u003cbr\u003e\r\n3. Kushukankyo (01:47)\u003cbr\u003e\r\n4. Kuso-shi 7 (01:56)\u003cbr\u003e\r\n\u003cbr\u003e\r\nSide D\u003cbr\u003e\r\n1.Kuso-shi 8 \u0026amp; 9 \/ Mettaijakujo (11:23)\u003cbr\u003e\r\n\u003cbr\u003e\r\nBonus Track\u003cbr\u003e\r\n2. Unputenpu  (Nozomu Guitar Solo Version) (05:43)\u003cbr\u003e\r\n\u003cbr\u003e","brand":"Sigh","offers":[{"title":"Default","offer_id":52675862102309,"sku":"SIH0GOHKTR-LP00","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0866\/8794\/0901\/files\/9b36f4e74e5c43ec9c476283b5cbad84.jpg?v=1782916405"},{"product_id":"sih0gohkpm-lp","title":"Goh-Ka - Pink Combo (Baby Pink \u0026 Magenta) Vinyl 2xLP","description":"THE EPIC NEW STUDIO ALBUM FROM THE LONG-STANDING JAPANESE METAL PIONEERS, INCLUDING GUEST APPEARANCE FROM OPETH'S MIKAEL ÅKERFELDT. PRESENTED ON PINK DOUBLE VINYL WITH GATEFOLD SLEEVE, INCLUDING BONUS TRACK.\u003cbr\u003e\r\n\u003cbr\u003e\r\nJapanese metal pioneers Sigh formed in 1989\/1990. Their genre-classic Black Metal debut ‘Scorn Defeat’ arrived in 1993, \u0026amp; with a subsequent journey through the strange \u0026amp; the psychedelic, incorporating a whole eclectic mix of genre styles \u0026amp; ideas throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed on the 2022 album (\u0026amp; first for Peaceville Records), ‘Shiki’. This was followed by the remaking of their ‘Hangman’s Hymn’ album as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’ (2025).\u003cbr\u003e\r\n\u003cbr\u003e\r\nMain-man Mirai Kawashima notes this as being as equally personal an album as ‘Shiki’, both musically \u0026amp; lyrically. From a musical perspective, if you were to place the main ingredients of Celtic Frost, Voivod, Black Sabbath, horror movies \u0026amp; Japan into a cauldron \u0026amp; stir it, you will get ‘Goh-ka’. Numerous additional spices such as psychedelic rock, prog rock \u0026amp; classical music are also evident over the album’s close to one-hour duration.\u003cbr\u003e\r\n\u003cbr\u003e\r\nThe primary theme permeating the album is Kuso-zu; a series of Buddhist paintings or illustrations depicting the nine stages of a human body's decomposition after death, created to encourage meditation on the impermanence of life, the inevitability of death, \u0026amp; the detachment from physical beauty \u0026amp; worldly attachment. It openly shows the harsh reality that no matter how beautiful you are, you’ll be dead \u0026amp; rot sooner or later. And Kuso-shi is a poem based on these paintings. The artworks on the cover \u0026amp; in the booklet of ‘Goh-ka’ are therefore Kuso-zu themselves.\u003cbr\u003e\r\n\u003cbr\u003e\r\nAmong the additional contributors to the album, Mikael Åkerfeldt of Opeth notably delivers a special guest guitar solo on the track, ‘Unputenpu’.\u003cbr\u003e\r\n\u003cbr\u003e\r\nThis limited pink combination double vinyl edition of ‘Goh-ka’ is presented in a gatefold sleeve, including different label designs and features an alternative version of ‘Unputenpu’.\u003cbr\u003e\r\n\u003cbr\u003e\r\nSide A\u003cbr\u003e\r\n1. Kuso-shi 1, 2, \u0026amp; 3 (09:11)\u003cbr\u003e\r\n2. Jigoku-Zoshi 1: Unkamusho (03:55)\u003cbr\u003e\r\n3. Anzenshokon (06:24)\u003cbr\u003e\r\n\u003cbr\u003e\r\nSide B\u003cbr\u003e\r\n1. Kuso-shi 4, 5, \u0026amp; 6 (07:21)\u003cbr\u003e\r\n2. Shoso (00:56)\u003cbr\u003e\r\n3. Unputenpu (05:41)\u003cbr\u003e\r\n\u003cbr\u003e\r\nSide C\u003cbr\u003e\r\n1. Jinmenjushin (06:14)\u003cbr\u003e\r\n2. 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Their genre-classic Black Metal debut ‘Scorn Defeat’ arrived in 1993, \u0026amp; with a subsequent journey through the strange \u0026amp; the psychedelic, incorporating a whole eclectic mix of genre styles \u0026amp; ideas throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed on the 2022 album (\u0026amp; first for Peaceville Records), ‘Shiki’. This was followed by the remaking of their ‘Hangman’s Hymn’ album as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’ (2025).\u003cbr\u003e\r\n\u003cbr\u003e\r\nConsidered as somewhat of a natural evolution, yet an even more diverse leap over the already compositionally \u0026amp; dynamically accomplished ‘Shiki’ opus, Sigh returns with ‘Goh-ka’; a new highlight of atmosphere, technical mastery, \u0026amp; meticulously arranged epics of metallic grandeur. \u003cbr\u003e\r\n\u003cbr\u003e\r\nMain-man Mirai Kawashima notes this as being as equally personal an album as ‘Shiki’, both musically \u0026amp; lyrically. From a musical perspective, if you were to place the main ingredients of Celtic Frost, Voivod, Black Sabbath, horror movies \u0026amp; Japan into a cauldron \u0026amp; stir it, you will get ‘Goh-ka’. Numerous additional spices such as psychedelic rock, prog rock \u0026amp; classical music are also evident over the album’s close to one-hour duration.\u003cbr\u003e \r\n\u003cbr\u003e\r\nThe primary theme permeating the album is Kuso-zu; a series of Buddhist paintings or illustrations depicting the nine stages of a human body's decomposition after death, created to encourage meditation on the impermanence of life, the inevitability of death, \u0026amp; the detachment from physical beauty \u0026amp; worldly attachment. It openly shows the harsh reality that no matter how beautiful you are, you’ll be dead \u0026amp; rot sooner or later. And Kuso-shi is a poem based on these paintings. The artworks on the cover \u0026amp; in the booklet of ‘Goh-ka’ are therefore Kuso-zu themselves.\u003cbr\u003e\r\n\u003cbr\u003e\r\nAmong the additional contributors to the album, Mikael Åkerfeldt of Opeth notably delivers a special guest guitar solo on the track, ‘Unputenpu’.\u003cbr\u003e\r\n\u003cbr\u003e\r\nThis edition of ‘Goh-ka’ is presented on digipack CD format, including a 12 page booklet.\u003cbr\u003e\r\n\u003cbr\u003e\r\n1. Kuso-shi 1, 2, \u0026amp; 3 (09:11)\u003cbr\u003e\r\n2. Jigoku-Zoshi 1: Unkamusho (03:55)\u003cbr\u003e\r\n3. Anzenshokon (06:24)\u003cbr\u003e\r\n4. Kuso-shi 4, 5, \u0026amp; 6 (07:21)\u003cbr\u003e\r\n5. Shoso (00:56)\u003cbr\u003e\r\n6. Unputenpu (05:41)\u003cbr\u003e\r\n7. Jinmenjushin (06:14)\u003cbr\u003e\r\n8. Jigoku-Zoshi 2: Tokatsujigoku (03:06)\u003cbr\u003e\r\n9. Kushukankyo (01:47)\u003cbr\u003e\r\n10. Kuso-shi 7 (01:56)\u003cbr\u003e\r\n11. Kuso-shi 8 \u0026amp; 9 \/ Mettaijakujo (11:23)\u003cbr\u003e\r\n","brand":"Sigh","offers":[{"title":"Default","offer_id":52675862200613,"sku":"SIH0GOHK00-CD00","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0866\/8794\/0901\/files\/2ae1ece7c9244d05881146d0c665437c.jpg?v=1782916404"},{"product_id":"sih0gohkct-lp","title":"Goh-Ka - Blue Combo (Coke Bottle Green \u0026 Transparent Turquoise) Vinyl 2xLP","description":"THE EPIC NEW STUDIO ALBUM FROM THE LONG-STANDING JAPANESE METAL PIONEERS, INCLUDING GUEST APPEARANCE FROM OPETH'S MIKAEL ÅKERFELDT. PRESENTED ON LIGHT GREEN + BLUE DOUBLE VINYL WITH GATEFOLD SLEEVE, INCLUDING BONUS TRACK.\u003cbr\u003e\r\n\u003cbr\u003e\r\nJapanese metal pioneers Sigh formed in 1989\/1990. Their genre-classic Black Metal debut ‘Scorn Defeat’ arrived in 1993, \u0026amp; with a subsequent journey through the strange \u0026amp; the psychedelic, incorporating a whole eclectic mix of genre styles \u0026amp; ideas throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed on the 2022 album (\u0026amp; first for Peaceville Records), ‘Shiki’. This was followed by the remaking of their ‘Hangman’s Hymn’ album as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’ (2025).\u003cbr\u003e\r\n\u003cbr\u003e\r\nMain-man Mirai Kawashima notes this as being as equally personal an album as ‘Shiki’, both musically \u0026amp; lyrically. From a musical perspective, if you were to place the main ingredients of Celtic Frost, Voivod, Black Sabbath, horror movies \u0026amp; Japan into a cauldron \u0026amp; stir it, you will get ‘Goh-ka’. Numerous additional spices such as psychedelic rock, prog rock \u0026amp; classical music are also evident over the album’s close to one-hour duration.\u003cbr\u003e\r\n\u003cbr\u003e\r\nThe primary theme permeating the album is Kuso-zu; a series of Buddhist paintings or illustrations depicting the nine stages of a human body's decomposition after death, created to encourage meditation on the impermanence of life, the inevitability of death, \u0026amp; the detachment from physical beauty \u0026amp; worldly attachment. It openly shows the harsh reality that no matter how beautiful you are, you’ll be dead \u0026amp; rot sooner or later. And Kuso-shi is a poem based on these paintings. The artworks on the cover \u0026amp; in the booklet of ‘Goh-ka’ are therefore Kuso-zu themselves.\u003cbr\u003e\r\n\u003cbr\u003e\r\nAmong the additional contributors to the album, Mikael Åkerfeldt of Opeth notably delivers a special guest guitar solo on the track, ‘Unputenpu’.\u003cbr\u003e\r\n\u003cbr\u003e\r\nThis limited light green and blue combination double vinyl edition of ‘Goh-ka’ is presented in a gatefold sleeve, including different label designs and features an alternative version of ‘Unputenpu’.\u003cbr\u003e\r\n\u003cbr\u003e\r\nSide A\u003cbr\u003e\r\n1. Kuso-shi 1, 2, \u0026amp; 3 (09:11)\u003cbr\u003e\r\n2. Jigoku-Zoshi 1: Unkamusho (03:55)\u003cbr\u003e\r\n3. Anzenshokon (06:24)\u003cbr\u003e\r\n\u003cbr\u003e\r\nSide B\u003cbr\u003e\r\n1. Kuso-shi 4, 5, \u0026amp; 6 (07:21)\u003cbr\u003e\r\n2. Shoso (00:56)\u003cbr\u003e\r\n3. Unputenpu (05:41)\u003cbr\u003e\r\n\u003cbr\u003e\r\nSide C\u003cbr\u003e\r\n1. Jinmenjushin (06:14)\u003cbr\u003e\r\n2. Jigoku-Zoshi 2: Tokatsujigoku (03:06)\u003cbr\u003e\r\n3. Kushukankyo (01:47)\u003cbr\u003e\r\n4. Kuso-shi 7 (01:56)\u003cbr\u003e\r\n\u003cbr\u003e\r\nSide D\u003cbr\u003e\r\n1.Kuso-shi 8 \u0026amp; 9 \/ Mettaijakujo (11:23)\u003cbr\u003e\r\n\u003cbr\u003e\r\nBonus Track\u003cbr\u003e\r\n2. Unputenpu  (Nozomu Guitar Solo Version) (05:43)\u003cbr\u003e","brand":"Sigh","offers":[{"title":"Default","offer_id":52675862135077,"sku":"SIH0GOHKCT-LP00","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0866\/8794\/0901\/files\/0802d94275064189a70c1d29f3553523.jpg?v=1782916404"},{"product_id":"stabtdh0yb-lp","title":"The Dying Hunt - Yellow \u0026 Black Marble LP","description":"THE THIRD STUDIO ALBUM OF UNNERVING DEATH METAL DERANGEMENT CONSISTING OF AUTOPSY’S GREG WILKINSON \u0026amp; CHRIS REIFERT, JOINED BY NECROT’S CHAD GAILEY ON DRUMS. PRESENTED ON LIMITED YELLOW MARBLE VINYL.\u003cbr\u003e\r\n\u003cbr\u003e\r\nEmerging in the early 2020’s - Static Abyss is a monstrous hybrid of twisted, doom-laden brutal death, comprising of longstanding members of the US metal scene. The band consists primarily of the duo of Deathgrave’s Greg Wilkinson (Guitars\/bass) \u0026amp; Chris Reifert (vocals), both also members of legendary American masters of sickness, Autopsy, with Chris also notably starting his career with genre pioneers, Death. The band’s debut, ‘Labyrinth Of Veins’ was released in 2022, \u0026amp; their second album ‘Aborted From Reality’ followed in quick succession, surfacing in 2023.\u003cbr\u003e\r\n\u003cbr\u003e\r\nReturning now for Static Abyss’ third studio album, \u0026amp; with the addition of Chad Gailey of fellow death merchants Necrot behind the drumkit for this release, ‘The Dying Hunt’ plummets the listener again into the festering, psychedelic swamps of lunacy, with the spiralling melodies texturing the relentless savage riffs for an effective nightmare inducing trip through the sonic abyss. Continuously \u0026amp; relentlessly flitting between brutal passages \u0026amp; hypnotic otherworldly craziness, ‘The Dying Hunt’ reflects the ailing world \u0026amp; the unravelling of the psyche of its inhabitants in this darkly dystopian landscape, for a masterful descent into sick Death Metal combined with Crust \u0026amp; Doom elements.\u003cbr\u003e\r\n\u003cbr\u003e\r\n‘The Dying Hunt’ was recorded at Earhammer Studios in Oakland, CA, with engineering, mixing \u0026amp; mastering overseen by Greg Wilkinson himself. Cover art comes courtesy of Jon Santos.\u003cbr\u003e\r\n\u003cbr\u003e\r\nThis edition of ‘The Dying Hunt’ is presented on limited yellow marble vinyl, including printed inner sleeve with lyrics.\u003cbr\u003e\r\n\u003cbr\u003e\r\nSide A\u003cbr\u003e\r\n1. Skull Blasted (01:54)\u003cbr\u003e\r\n2. Lobotomized At Last (03:40)\u003cbr\u003e\r\n3. The Dying Hunt (04:04)\u003cbr\u003e\r\n4. Wall Of Delusion (01:25)\u003cbr\u003e\r\n5. Once A Corpse (Always A Corpse) (02:54)\u003cbr\u003e\r\n6. Bleeding In The Fog (04:40)\u003cbr\u003e\r\n\u003cbr\u003e\r\nSide B\u003cbr\u003e\r\n1. Sinew Leech (04:07)\u003cbr\u003e\r\n2. Nowhere Forever (05:02)\u003cbr\u003e\r\n3. Defleshed \u0026amp; Forlorn (01:20)\u003cbr\u003e\r\n4. Volcanic Womb (03:15)\u003cbr\u003e\r\n5. Darkness At The End Of The Light (04:32)\u003cbr\u003e\r\n","brand":"Static Abyss","offers":[{"title":"Default","offer_id":52752932765989,"sku":"STABTDH0YB-LP00","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0866\/8794\/0901\/files\/c9b8605173694bf48b03f3c744fc577c.jpg?v=1783601550"},{"product_id":"stabtdh0bl-lp","title":"The Dying Hunt - Black LP","description":"THE THIRD STUDIO ALBUM OF UNNERVING DEATH METAL DERANGEMENT CONSISTING OF AUTOPSY’S GREG WILKINSON \u0026amp; CHRIS REIFERT, JOINED BY NECROT’S CHAD GAILEY ON DRUMS. PRESENTED ON BLACK VINYL.\u003cbr\u003e\r\n\u003cbr\u003e\r\nEmerging in the early 2020’s - Static Abyss is a monstrous hybrid of twisted, doom-laden brutal death, comprising of longstanding members of the US metal scene. The band consists primarily of the duo of Deathgrave’s Greg Wilkinson (Guitars\/bass) \u0026amp; Chris Reifert (vocals), both also members of legendary American masters of sickness, Autopsy, with Chris also notably starting his career with genre pioneers, Death. 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Continuously \u0026amp; relentlessly flitting between brutal passages \u0026amp; hypnotic otherworldly craziness, ‘The Dying Hunt’ reflects the ailing world \u0026amp; the unravelling of the psyche of its inhabitants in this darkly dystopian landscape, for a masterful descent into sick Death Metal combined with Crust \u0026amp; Doom elements.\u003cbr\u003e\r\n\u003cbr\u003e\r\n‘The Dying Hunt’ was recorded at Earhammer Studios in Oakland, CA, with engineering, mixing \u0026amp; mastering overseen by Greg Wilkinson himself. Cover art comes courtesy of Jon Santos.\u003cbr\u003e\r\n\u003cbr\u003e\r\nThis edition of ‘The Dying Hunt’ is presented on black vinyl, including printed inner sleeve with lyrics.\u003cbr\u003e\r\n\u003cbr\u003e\r\nSide A\u003cbr\u003e\r\n1. Skull Blasted (01:54)\u003cbr\u003e\r\n2. Lobotomized At Last (03:40)\u003cbr\u003e\r\n3. The Dying Hunt (04:04)\u003cbr\u003e\r\n4. Wall Of Delusion (01:25)\u003cbr\u003e\r\n5. 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Continuously \u0026amp; relentlessly flitting between brutal passages \u0026amp; hypnotic otherworldly craziness, ‘The Dying Hunt’ reflects the ailing world \u0026amp; the unravelling of the psyche of its inhabitants in this darkly dystopian landscape, for a masterful descent into sick Death Metal combined with Crust \u0026amp; Doom elements.\u003cbr\u003e\r\n\u003cbr\u003e\r\n‘The Dying Hunt’ was recorded at Earhammer Studios in Oakland, CA, with engineering, mixing \u0026amp; mastering overseen by Greg Wilkinson himself. Cover art comes courtesy of Jon Santos.\u003cbr\u003e\r\n\u003cbr\u003e\r\nThis edition of ‘The Dying Hunt’ is presented on jewel case CD format, including 12-page booklet with full lyrics.\u003cbr\u003e\r\n\u003cbr\u003e\r\n1. Skull Blasted (01:54)\u003cbr\u003e\r\n2. Lobotomized At Last (03:40)\u003cbr\u003e\r\n3. The Dying Hunt (04:04)\u003cbr\u003e\r\n4. Wall Of Delusion (01:25)\u003cbr\u003e\r\n5. Once A Corpse (Always A Corpse) (02:54)\u003cbr\u003e\r\n6. 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